影片名称：厕所有只鬼

上映时间：2017年

影片类型：大陆剧

影片导演：曲阳

影片主演：迭戈·卢纳,维亚切斯拉夫·吉洪诺夫,马特奥·希尔,Antonino Iuorio,六平直政,保罗·查希迪

资源类别：全集完整未删减版

总播放次数：571

徐今越将手(shǒu )中(🚂)的卷子往前递了递，指着说(shuō )：这个第十三道选择题我不知道算的对不(bú )对，你能不能帮我看看？

赵秀才(🐈)走(zǒu )了(💤)之后，张秀娥就用沙盘一笔一划的练字。

一高被称为花园式学校，自然(🔥)是里面的草(cǎo )木(mù )多风景妙(miào )，宋(💟)垣在其中的一角逛了一会(🌏)儿，觉得舒服就(jiù )随便找了块石头坐下。

生活在威尔士农村的发明家布莱恩每天都在建造一些稀(xī )奇(⏩)古怪(guà(🐈)i )、不怎么(me )有用的新奇玩意儿。在孤独中，他用一台洗衣机和其他零碎造(🙆)出了查尔斯，一个有智能的(de )机器人，它能从字典里学习英语，并对卷心菜非(😂)常着迷。

羅斯福高中就(jiù )像一般美國郊區的高中一樣普普通通.幾(jǐ )何學女教師黛關娜,和學校女秘書卡(💖)莉,兩人雙雙(🥈)墜(📔)入情網,而且投入這點就讓整個校園從平淡(🔱)無奇的氣氛轉換成迷惑的情況.故事一開(kā(👊)i )始是卡(📁)莉懷疑黛娜和她丈夫(fū )有染,所以一直注意黛娜的一舉ㄧ動,結果並不是她所想像.在證實她推論錯誤後,兩人(rén )開始成為(🌭)無(📜)話不談的知心好友,關係越來越親密,某天瞞不住對彼此的愛慕,就在附(⏯)近的籃球館裡(🚸),互訴情衷。

迟砚(🧞)失笑，没有解释什么，只是说：没有第二次了。

Sincethecreationofcurrency,moneyhasmadetheworldgoroundandpeoplehavedoneanythingandeverythingintheirpowertogettheirhandsonalotofit,includingformulating...

萨姆·沃辛顿(《阿凡达》)和菲比·托金(《吸血鬼日记》)将主演惊悚(🌝)片《渗透》(Transfusion)。本片由演员(🏳)马特·纳夫莱(《血战钢锯岭》《中(zhōng )间人先生》)献出导演首秀，他也(yě )将(jiāng )出演。讲(jiǎng )述一(yī )名(💏)前特种部队(duì )特工为了不(bú )让他的独(dú )子被带走，而进入犯罪黑社会的(⬅)世界中。

This is a rather depressing story about a woman who suffers depression and returns to Spain from Venezuela, where she has been living with her wealthy lover. This woman, well played by a dubbed Viveca Lindfors, seeks treatment in an asylum which appears to be located near Madrid. Although they hadn't meet since she was a 4 years old child, her daughter (a dull Sonia Bruno) is not resentful, and joins the mother in the asylum, where the patient will undergo a psychodrama treatment. The plot revolves around both women's difficult relationships with their respective lovers, and the rich patients who surround the middle-aged (Viveca and Francisco Rabal) and young (Sonia Bruno and Julian Mateos) couples. Some other small characters which are quite interesting are patients such as a highly neurotic blonde bombshell actress (played by lovely Gisia Paradis), a bipolar and gossipy woman (Laly Soldevilla)...both providing a few very welcome camp humour relax moments to an otherwise very gloomy story. I liked the psychodrama session scene with Viveka and Rabal reenacting the scene that triggered her depression, and I think that the film was well handled, had good production values, good development of characters. Maybe the young couple lacked charisma, and some scenes were a little bit slow-paced. Francisco Rabal played his usual strong male-voiced masculine self, and if effective, I don't find him interesting. Viveca Lindfors was very compelling, and with her use of body and facial expressions managed to bring to life her not very appealing part of a depressed bourgeois housewife. Julian Mateos had a nice body at the time, and was OK as the tortured alcoholic and violent patient who seduces the visiting sweet Sonia Braga. Overall, a curious example of the Spanish attempt at a sort of new wave in the 1960's by the prestigious Miguel Picazo (La Tia Tula, 1964), and mainly recommended to Miss Lindfors' fans.

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